17 posts tagged “reading”

Synopsis: "Over two-thirds of the earth is covered by bodies of water that many believe hold the secrets to the beginnings of life. In this absorbing survey of oceanography, Prager (Furious Earth) and Earle (The Living Ocean: Understanding and Protecting Marine Biodiversity) chronicle the development of the science of oceans and the evolution of life within the briny deep and shallow estuaries. The authors narrate the "grand epic" of life's evolution from its earliest beginnings (between 4.5 and 1 billion years ago) to the flowering of sea life in the Cambrian period (about 550 million years ago). They examine the geological evidence of life's development, and the physical and chemical properties of the ocean-- the effects of oceans on climate, coastal upwellings, deep-sea circulation, rip currents and rogue waves--as well as the beauties and mysteries of sea life and, through accounts of various marine biomes, microbes and mammals, the tremendous diversity of marine life. Throughout, Prager and Earle debunk myths about the existence of Jaws-like sharks and other marine creatures. Finally, they contend that if the oceans continue to be exploited in the ways they have been over just the past 30 years, they may die. Therefore, the authors argue, governments must give high priority to the study of oceans simply because "to preserve the sea is to preserve life on Earth." This elegant study is an excellent resource for scientists, teachers and all lovers of the ocean." (from Publishers Weekly)

Rating: 3 of 5 stars.

Synopsis: "A vivid, up-to-date tour of the Earth's last frontier, a remote and mysterious realm that nonetheless lies close to the heart of even the most land-locked reader. The sea covers seven-tenths of the Earth, but we have mapped only a small percentage of it. The sea contains millions of species of animals and plants, but we have identified only a few thousand of them. The sea controls our planet's climate, but we do not really understand how. The sea is still the frontier, and yet it seems so familiar that we sometimes forget how little we know about it. Just as we are poised on the verge of exploiting the sea on an unprecedented scale-mining it, fertilizing it, fishing it out-this book reminds us of how much we have yet to learn. More than that, it chronicles the knowledge explosion that has transformed our view of the sea in just the past few decades, and made it a far more interesting and accessible place. From the Big Bang to that far-off future time, two billion years from now, when our planet will be a waterless rock; from the lush crowds of life at seafloor hot springs to the invisible, jewel-like plants that float at the sea surface; from the restless shifting of the tectonic plates to the majestic sweep of the ocean currents, Kunzig's clear and lyrical prose transports us to the ends of the Earth." (from back of book)

Rating: 3 of 5 stars.

Synopsis: "This book offers a balanced introduction to and examination of contemporary Japanese education. The postwar system of schooling has led to some unfavorable developments such as excessively competitive exams, stifling uniformity and an undervaluing of non-Japanese ethnicity. This book examines the main developments of modern schooling in Japan and includes analysis of the most recent reforms, presenting a new picture of the role of schooling for individuals and the wider society. Essential reading for students and educators alike." (from back of book)

Impressions: Outdated but interesting.

Rating: 4 of 5 stars.

Synopsis: "Assembled in Japan investigates one of the great success stories of the twentieth century: the rise of the Japanese electronics industry. Contrary to mainstream interpretation, Simon Partner discovers that behind the meteoric rise of Sony, Matsushita, Toshiba, and other electrical goods companies was neither the iron hand of Japan's Ministry of International Trade and Industry nor a government-sponsored export-led growth policy, but rather an explosion of domestic consumer demand that began in the 1950s.
This powerful consumer boom differed fundamentally from the one under way at the same time in the United States in that it began from widespread poverty and comparatively miserable living conditions. Beginning with a discussion of the prewar origins of the consumer engine that was to take off under the American Occupation, Partner quickly turns his sights on the business leaders, inventors, laborers, and ordinary citizens who participated in the broadly successful effort to create new markets for expensive, unfamiliar new products.
Throughout, the author relates these pressure-cooker years in Japan to the key themes of twentieth-century experience worldwide: the role of technology in promoting social change, the rise of mass consumer societies, and the construction of gender in advanced industrial economies." (from back of book)

Rating: 4 of 5 stars.

Synopsis: "Oskar Schell is not your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. He also collects random photographs for his scrapbook and sends letters to scientists. When his father dies in the World Trade Center collapse, Oskar shifts his boundless energy to a quest for answers. He finds a key hidden in his father's things that doesn't fit any lock in their New York City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to speak to everyone in New York City with the last name of Black. A retired journalist who keeps a card catalog with entries for everyone he's ever met is just one of the colorful characters the boy meets. As in Everything Is Illuminated (Houghton, 2002), Foer takes a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further with the inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works as a deceptive, glitzy cover for a fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the World War II bombing of Dresden. Although this story is not quite as evocative as Oskar's, it does carry forward and connect firmly to the rest of the novel. The two stories finally intersect in a powerful conclusion that will make even the most jaded hearts fall." (from School Library Journal)

Impressions: Excellent book! One of the best of the year!

Rating: 5 of 5 stars.

Synopsis: "As a single guy I need all the help I can get out there. Thanks to the folks at Real Men Don't Say Splendid, I now have an extra wingman. Not only do I use it to prep for a date, but its small enough to fit in my blazer pocket. "Real Men..." is the perfect date companion. I've spent the last 6 months mastering volume one, but I can't help thinking that there may still be words in my vernacular that are not acceptable. Don't send me out there ill-prepared!! Where's volume two??" (from P. F. Vranich)

Rating: 1 of 5 stars.

Synopsis: "The Four Loves summarizes four kinds of human love--affection, friendship, erotic love, and the love of God. Masterful without being magisterial, this book's wise, gentle, candid reflections on the virtues and dangers of love draw on sources from Jane Austen to St. Augustine. The chapter on charity (love of God) may be the best thing Lewis ever wrote about Christianity. Consider his reflection on Augustine's teaching that one must love only God, because only God is eternal, and all earthly love will someday pass away: Who could conceivably begin to love God on such a prudential ground--because the security (so to speak) is better? Who could even include it among the grounds for loving? Would you choose a wife or a Friend--if it comes to that, would you choose a dog--in this spirit? One must be outside the world of love, of all loves, before one thus calculates. His description of Christianity here is no less forceful and opinionated than in Mere Christianity or The Problem of Pain, but it is far less anxious about its reader's response--and therefore more persuasive than any of his apologetics. When he begins to describe the nature of faith, Lewis writes: 'Take it as one man's reverie, almost one man's myth. If anything in it is useful to you, use it; if anything is not, never give it a second thought.'" (from Amazon.com)

Rating: 5 of 5 stars.

Synopsis: "This collection hit the front page of the New York Times its first time out of the blocks in 1999, as the University of Pittsburgh Press, Collins's longtime publisher, denied Random the rights to the poems as the poet tried to jump ship. The two houses and Collins's agent, Chris Calhoun (Dan Menaker is Collins's editor at Random), later worked out a deal that gave Pitt a few more months to ride Picnic, Lightning (1998) and Collins's other books without this culling treading on its sales. As it now appears, the book includes 23 poems from Picnic, more than from any of Collins's previous three books included here. (Work from the early Video Poems and Pokerface is absent.) Collins's poems are generally conveyed by a speaker whose genial, highly literate analogue of earnestness perfectly produces inchoate quotidian restlessness matched by fear-based appreciation of the mundane. A typical Collins poem begins with "How agreeable it is not to be touring Italy this summer," "The way the dog trots out the front door" or the observation that "It is possible to be struck by a meteor/ or a single-engine plane/ while reading in a chair at home" and continues by juxtaposing, say, close descriptions of "the instant hand of Death" and "the rasp of the steel edge/ against a round stone,/ the small plants singing/ with lifted faces." It's a formula that has worked well for Collins, and he does not abandon it in the 20 new poems here." (from Publishers Weekly)

Rating: 3 of 5 stars.

Synopsis: "Hip radio comedy fans and theater folks who belong to the cult of Obie-winning playwright/performer David Sedaris must kill to get this book. These would be fans of the scaldingly snide Sedaris's hilariously described personal misadventures like The Santaland Diaries (a monologue about his work as an elf to a department store Santa) seen off-Broadway in 1997. In a series of similarly textured essays, Sedaris takes us along on his catastrophic detours through a nudist colony, a fruit-packing plant, his own childhood, and a dozen more of the world's little purgatories." (from Amazon.com)

Rating: 4 of 5 stars.

Synopsis: "Like many of Murakami Haruki's English reading fans, I read A Wild Sheep Chase and Dance Dance Dance without knowledge that the former book was the third in a trilogy and that the latter book was an addition that came a few years later. However, if the reader pays closer attention to A Wild Sheep Chase one can really see that the characters within the book seem to be established and that they already have their personal histories which are not coming completely new from the pages of A Wild Sheep Chase. Almost a year after picking up A Wild Sheep Chase for the first time, I read Jay Rubin's highly informative book Haruki Murakami & the Music of Words and learned about Murakami's first two novels: Hear the Wind Sing and Pinball, 1973 both of which had been translated into English by Alfred Birnbaum.

Hear the Wind Sing begins with the narrator, aged 29, talking about writing and how difficult it was for him to finally put down words on paper. It took him eight years in fact to put down his thoughts on the summer of 1970 and the people he was involved with during that year. Why 1970? 1970 was the year after the student activist group the Zenkyoto was forced out of the building they had commandeered and soon afterwards those who had been its greatest supporters were sucked back into the system to become automatons of mainstream society. For Murakami, the destruction of the student movement left a deep wound in his being and it pained him to see his fellows go to a more conservative, rightist path.

However, within the being of the narrator it might be hard to find a politically charged individual. This is instead found within the being of the narrator's best friend the Rat. Yet, the Rat's sense of aggravation towards modern society is quite impotent, so he instead fills his emptiness with beer and liquor. The Narrator, a more introspective fellow, spends his time consumed in the books of dead writers, the memories of his dead girlfriend, and pursuing the girl with four fingers on her left hand.

At the time he wrote this thin tome, Murakami owned a jazz bar called the Peter Cat and had little time for actual writing so his sentences within this volume tended to be quite pithy. Also, the short, pithy styles of Kurt Vonnegut and Richard Brautigan influenced his writing. The book itself is more a collection of vignettes than one coherent novel and the order of the book was originally quite different that the final version.

While it does not hold a candle to some of his later works, Murakami's first novel is quite important in his body of work and it shows his early interest in such subjects as language, memory, China, and the student movement. Definitely a book worth seeking for the Murakami fan, hopefully, one day, along with Pinball, 1973, it will be given a wider release to Murakami's English reading fans." (by Michael W.)

Rating: 5 of 5 stars.